A few weeks back, I started running contributions from some of my favorite film critics, writers, and theorists from around the internet. The series ended… but has officially been resurrected, as I’ve obtained a few new contributions. This is the last one I have (for now). Each writer is listing their top 10 from the Criterion Collection. Today’s entry is from Ryan McNeil, proud Torontoan (Torontite?) and proprietor of The Matinee. Ryan’s site is loaded with passionate and profound reviews about a wide array of genres, from blockbusters to festival films to indie cinema to classics (foreign and otherwise). In particular, I admire Ryan’s dedication to indie cinema and his continuing “Blind Spot Series” in which he tries to fill in the cracks in his movie-viewing history. He always has something thought-provoking to say, and he does so respectfully and without vitriol. That’s my kind of writer. In addition to The Matinee, you can find Ryan on Twitter @matinee_ca. Continue reading
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For now, at least, I have one final entry in The Criterion Top 10 Series. Alex Withrow (And So It Begins, filmmaker, @shiftingPersona) had a familiar quandary when he made his first list. Specifically, he wanted to make several lists. Today, he brings us a list comprised purely of films made since 2000. As for the series, this closes it out for the time being, although there are a few more lists that may show up soon. I hope you’ve all enjoyed it, and thank you very much to everyone who participated!