The tracking shot is the gateway drug for film nerds. It’s one of the first camera techniques that any viewer can recognize on film. Dictionary.com defines it succinctly as “a camera shot in which the cameraman follows a specific person or event in the action.” Here are ten great examples. Continue reading
Tag Archives: Contempt
A lot of aspects help create a movie’s thumbprint. Acting, writing, foley, and score all come to mind. Another aspect that comes to mind is cinematography. Whether you realize it or not, films have a unique color palette that can invoke any number of feelings. Here are some examples. Continue reading
It’s time yet again for my favorite feature at TDYLF- my annual list of the 50 greatest French films of all-time. One aspect I’m starting to really enjoy about this list is how organic it is. Each year, movies rise and fall thanks to re-watches, exposure to new films, and new insights. Keeping and maintaining this list throughout the year also serves an important function for me. It motivates me to continue learning, and grow as a French film enthusiast. A few notes before we get started:
- I am not an authority on this. I’m just a Francophile with a Blu-ray player, Netflix and Facets subscriptions, and a love of movies.
- As much as I try, I am not a completist. There are a lot of films I simply haven’t seen. I’ve done my best to make it as comprehensive as I could but there’s always room to see more. There are still some relatively glaring omissions. Please feel free to recommend others, as I am always on the lookout to improve this list. It’s a labor of love for me.
- There is obviously a lot of personal preference involved. However, I’ve given a lot of weight to objective aspects like a film’s influence, importance, creativity, and how much they embody the spirit of French cinema and history.
- To qualify, the film has to be a French language film. There are non-French directors on this list but every movie is a French language film.
With that out of the way, I present to you the 50 greatest French films of all-time: Continue reading
The other day, I found myself wishing that movies turned people on the way they turn me on, metaphorically speaking. This led to some pondering about what exactly does turn movie geeks on? How about seedy calendars?!?! And with that, I present to you my proposal to the Criterion Collection- a calendar featuring the sexiest ladies that the Criterion Collection has to offer. And yes, Deneuve is the August pic. Because my birthday is in August. Happy birthday to me!
Usually, directors are behind the scenes, spinning their vision into a movie. But they don’t always stay there. Occasionally, they’ll appear on screen. Sometimes, it can be a leading role. Other times, it’s merely a cameo. Here are ten great acting performances by directors in the films of others.
Fritz Lang as Fritz Lang, Contempt
Lang’s films- especially his silent films- are some of the best movies ever made. But before I’d ever seen a single film that he directed, I saw him playing the director in the film within Godard’s film, Contempt. How’s that for post-modern cinema? A director acting in a film in the role of… a director. Making it even more off-kilter, he didn’t even play a fictional director. He played himself, and it was precisely what the movie called for. Continue reading
The Criterion Collection has a very enjoyable series called Top 10s where they invite filmmakers, film critics and theorists, and just good ol’ fashioned celebrities to list their Top 10 from the Criterion Collection. It’s a really unique series because you get great insights into what has influenced these people. For instance, Steve Buscemi lists John Cassavetes’ A Woman Under the Influence at #10, and states:
I have been under the influence of John Cassavetes and Gena Rowlands and their extended family in film ever since I saw a retrospective of Cassavetes’s movies at MoMA soon after he died.
Is it any surprise at all that Steve Buscemi, a stalwart of 90’s indie cinema, would hold such reverence for John Cassavetes, the Godfather of independent cinema? Guy Maddin lists Clement’s Forbidden Games at #1 and Häxan at #10. If you’re familiar at all with Maddin’s films- silent film homages which generally place a magnifying glass on childhood trauma- you realize the imprint that these films had on him. Admittedly, I’ve only seen approximately half of the Criterion Collection, around 250 films or so in their catalogue. Here’s my stab at the Criterion Top 10. Continue reading
I passed a milestone recently here at TDYLF. Thanks to the help of the editors over at IMDB, I passed the 100,000 Hits milestone on Sunday (with a whopping 80,000+ of those hits coming just since September 30th). To celebrate, I’m beginning a brand new series called “100 Things I Love About the Movies”. To be sure, there a LOT more than 100 things that I love about the movies. As such, this has the potential to become a series- 100 Things I Love About Horror Movies, 100 Things I Love About Foreign Movies, and on and on. I present to you the first edition of “100 Things I Love About the Movies”.
EDITOR’S NOTE: I made this list in 2010. I updated the list in 2011. The updated list is more complete and puts far less emphasis on personal preference. The new and improved version can be found here.
On the cusp of Bastille Day, and with such a rich history of French cinema, I felt that it was only fitting to create a list of the 50 best French films. Initially, I’d planned on simply listing them in no particular order. However, mon ami, I eventually determined that it wouldn’t be fair to not put forth the extra effort. They’re now listed at least in order of personal preference, with some weight given to overall quality. In other words, there are likely more influential films or higher quality films further down the list. But their higher quality doesn’t overcome my overall enjoyment of the other films higher up on the list.