The Big Fat List of Directors I Don’t Talk About Enough

I love talking about movies. So do you. Why else would you be here? In the discussion process, it’s very easy to become enthusiastic about certain directors and their films. And the unfortunate byproduct of the genius of these various directors is that it’s easy to fixate on them, often at the detriment of other moviemakers who have plied their craft with similarly deft touches. If you’re a regular reader, you’ve seen at least a few articles about Ingmar Bergman, Buster Keaton, Louis Malle, Luis Buñuel, Martin Scorsese, Edgar Wright, and the Coen brothers. But there is a humongous list of other directors that I love just as much, if not more, than many of the names on that list. Here’s a list of directors that I don’t write about nearly enough.

Turning 35

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Today is my birthday. I turn 35. This means that I can no longer claim that I’m “in my early 30’s”. I am halfway to 70 years old. I’m just a few short years away from (GASP!) FORTY YEARS OLD! Life is very different for me now than it was when I turned 25 and was presented with a urinal cake (a birthday cake shaped like a urinal cake) and 4,000 people sang happy birthday to me. Working in minor league baseball had perks, insofar as getting a urinal cake is a perk. 35… is not the same thing. But age 35 doesn’t have to be a bad thing. Here’s a fun little exercise. What were my cinematic heroes doing when they were 35 years old?

The Black Sheep of Director Filmographies

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The majority of film directors have a unique style, an imprint that they place on all of their films. It can be something as significant as David Lynch’s surrealism or something as minor as Quentin Tarantino’s car trunk POV shots. A large part of the fun that I have in watching movies is seeing a director’s style develop, recognizing what they’re doing, and seeing the patterns when they do these things again and again. However, there are occasions where directors have films that break from their own conventions. They create something entirely different. They create a black sheep, as it were. These are films that stand out (sometimes for better, sometimes for worse) in their catalogue. Here are several examples:

Director: Robert Altman
Film: Secret Honor (1984)
First and foremost, Robert Altman is known for drowning his viewers in overlapping dialogue. His characters all speak all at once. It’s quite an immersive feature for the viewer. Some may find it distracting. Personally, I find that it makes me feel like I’m in the room with his characters. You find it all over the place in Altman’s movies. Imagine my surprise when I watched Secret Honor, a movie that featured only one character (a fictionalized Richard Nixon) and his endless monologue. It’s a credit to Altman that the film works so well. It’s also a testament to the film’s sole actor, Philip Baker Hall.

Letters to Directors from Children

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