My Criterion Top Ten

The Criterion Collection has a very enjoyable series called Top 10s where they invite filmmakers, film critics and theorists, and just good ol’ fashioned celebrities to list their Top 10 from the Criterion Collection. It’s a really unique series because you get great insights into what has influenced these people. For instance, Steve Buscemi lists John Cassavetes’ A Woman Under the Influence at #10, and states:

I have been under the influence of John Cassavetes and Gena Rowlands and their extended family in film ever since I saw a retrospective of Cassavetes’s movies at MoMA soon after he died.

Is it any surprise at all that Steve Buscemi, a stalwart of 90’s indie cinema, would hold such reverence for John Cassavetes, the Godfather of independent cinema? Guy Maddin lists Clement’s Forbidden Games at #1 and Häxan at #10. If you’re familiar at all with Maddin’s films- silent film homages which generally place a magnifying glass on childhood trauma- you realize the imprint that these films had on him. Admittedly, I’ve only seen approximately half of the Criterion Collection, around 250 films or so in their catalogue. Here’s my stab at the Criterion Top 10.

Akira Kurosawa, how do I heart thee? Let me count the ways

At some point in the last year or so, I’ve come to view Kurosawa as the best director in the world. He’s not necessarily my favorite (hello, Ingmar Bergman) but in the pure terms of the artistic value of his films, combined with entertainment value, I don’t think you can top Kurosawa. Why do I say this?