August 16, 2012 · 3:21 am
It’s time yet again for my favorite feature at TDYLF- my annual list of the 50 greatest French films of all-time. One aspect I’m starting to really enjoy about this list is how organic it is. Each year, movies rise and fall thanks to re-watches, exposure to new films, and new insights. Keeping and maintaining this list throughout the year also serves an important function for me. It motivates me to continue learning, and grow as a French film enthusiast. A few notes before we get started:
- I am not an authority on this. I’m just a Francophile with a Blu-ray player, Netflix and Facets subscriptions, and a love of movies.
- As much as I try, I am not a completist. There are a lot of films I simply haven’t seen. I’ve done my best to make it as comprehensive as I could but there’s always room to see more. There are still some relatively glaring omissions. Please feel free to recommend others, as I am always on the lookout to improve this list. It’s a labor of love for me.
- There is obviously a lot of personal preference involved. However, I’ve given a lot of weight to objective aspects like a film’s influence, importance, creativity, and how much they embody the spirit of French cinema and history.
- To qualify, the film has to be a French language film. There are non-French directors on this list but every movie is a French language film.
With that out of the way, I present to you the 50 greatest French films of all-time: Continue reading →
Filed under Foreign Film, French Film, Movies
Tagged as A Propos de Nice, A Trip to the Moon, Abel Gance, Agnes Varda, Alain Resnais, Breathless, Celine and Julie Go Boating, Children of Paradise, Cleo from 5 to 7, Contempt, Costa Gravas, Day for Night, Francois Truffaut, French Film, Grand Illusion, Henri-Georges Clouzot, J'Accuse, Jacques Tati, Jean Gabin, Jean Luc Godard, Jean Renoir, Jean Vigo, Jean-Pierre Melville, L'Enfance Nue, La Grande Bouffe, La Roue, Last Year at Marienbad, Le Corbeau, Louis Malle, Luis Bunuel, M. Hulot's Holiday, Marcel Carné, Maurice Pialat, Mouchette, Movies, Murmur of the Heart, Napoleon, Night and Fog, Pépé le Moko, Port of Shadows, Rene Clair, Robert Bresson, Shoot the Piano Player, The 400 Blows, The 50 Greatest French Films of All-Time, The Battle of Algiers, The Discreet Charm of the Bourgeoisie, The Fire Within, The Italian Straw Hat, The Passion of Joan of Arc, The Phantom of Liberty, The Red Balloon, The Rules of the Game, The Sorrow and the Pity, Touchez Pas Au Grisbi, Un Chien Andalou, Week End, Zero for Conduct
April 13, 2011 · 6:22 am
A few months back, I mentioned my discovery of a book called 1,001 Movies You Must See Before You Die. At the time, I was at 459 films seen out of the full 1,079 (78 other movies have appeared in updated editions of the book; ergo 1,079 and not 1,001). I’ve managed to tackle a few more since then, hopefully alleviating at least a few occurrences of “HOLY MOSES IN CHOCOLATE UNDERPANTS, YOU’VE NEVER SEEN THAT?!?!” that I hear occasionally. Since the first listing, I’ve seen:
Continue reading →
Filed under Movies, Silent Movies
Tagged as 1001 Movies You Must See Before You Die, Film, Frenzy, La Roue, Les Vampires, Lon Chaney Sr., Marnie, Movies, Mr. Smith Goes to Washington, Some Like it Hot, Straw Dogs, The Apartment, The Lavender Hill Mob, The Red Shoes, The Unknown
February 16, 2011 · 11:54 am
Despite the fact that Sir Mix-A-Lot’s knighthood is clearly invalid, I’ve still opted to quote him because his long/strong/down to get the friction on line from the timeless “Baby Got Back” perfectly pertains to several fantastic bits of cinema. These are films that show up on “Greatest” lists all the time. They’re influential, and some of the best movies ever made. They’re also, unfortunately, endurance tests that require 4 hours or more of viewing. In at least a few cases, it’s best to think of them as a mini-series, viewed an hour or two at a time. Here’s my checklist of insanely long movies that I have seen or that I intend to see. Continue reading →
Filed under Foreign Film, French Film, German Films, Ingmar Bergman, Louis Malle, Movies, Silent Movies, Swedish Film
Tagged as 1900, Berlin Alexanderplatz, Das Boot, Fanny and Alexander, Film, Gone with the Wind, La Roue, Lawrence of Arabia, Les Vampires, Movies, Napoleon, Phantom India, Shoah, Silent Film, The Human Condition, The Sorrow and the Pity