It’s time yet again for my favorite feature at TDYLF- my annual list of the 50 greatest French films of all-time. One aspect I’m starting to really enjoy about this list is how organic it is. Each year, movies rise and fall thanks to re-watches, exposure to new films, and new insights. Keeping and maintaining this list throughout the year also serves an important function for me. It motivates me to continue learning, and grow as a French film enthusiast. A few notes before we get started:
- I am not an authority on this. I’m just a Francophile with a Blu-ray player, Netflix and Facets subscriptions, and a love of movies.
- As much as I try, I am not a completist. There are a lot of films I simply haven’t seen. I’ve done my best to make it as comprehensive as I could but there’s always room to see more. There are still some relatively glaring omissions. Please feel free to recommend others, as I am always on the lookout to improve this list. It’s a labor of love for me.
- There is obviously a lot of personal preference involved. However, I’ve given a lot of weight to objective aspects like a film’s influence, importance, creativity, and how much they embody the spirit of French cinema and history.
- To qualify, the film has to be a French language film. There are non-French directors on this list but every movie is a French language film.
With that out of the way, I present to you the 50 greatest French films of all-time: Continue reading
The Criterion Collection has a very enjoyable series called Top 10s where they invite filmmakers, film critics and theorists, and just good ol’ fashioned celebrities to list their Top 10 from the Criterion Collection. It’s a really unique series because you get great insights into what has influenced these people. For instance, Steve Buscemi lists John Cassavetes’ A Woman Under the Influence at #10, and states:
I have been under the influence of John Cassavetes and Gena Rowlands and their extended family in film ever since I saw a retrospective of Cassavetes’s movies at MoMA soon after he died.
Is it any surprise at all that Steve Buscemi, a stalwart of 90’s indie cinema, would hold such reverence for John Cassavetes, the Godfather of independent cinema? Guy Maddin lists Clement’s Forbidden Games at #1 and Häxan at #10. If you’re familiar at all with Maddin’s films- silent film homages which generally place a magnifying glass on childhood trauma- you realize the imprint that these films had on him. Admittedly, I’ve only seen approximately half of the Criterion Collection, around 250 films or so in their catalogue. Here’s my stab at the Criterion Top 10. Continue reading
A quartet of what would've been 2008 TDYLFie Award Nominees
I can’t recall every single movie I’ve seen this year. I do know, however, that probably 75% of the movies I’ve seen have been via Netflix. And having no record of the other 25% (which Netflix used to have with the use of a chronological ratings history slider, but I don’t want to get back into the whole Netflix thing again), I’m forced to make my year-end awards selections strictly from the rentals I’ve gotten through Netflix. Using only the list of things I’ve seen via Netflix in 2010, let’s hand out some film awards, which I’m calling TDYLFies (phonetically: ta-dill-fees). Why call ’em that? Why not? Continue reading